Recorded music
Every major streaming service and digital storefront worldwide, plus the regional platforms that matter in specific markets.
Global distribution
Everywhere the audience already is
Recorded music, film, television, OTT and digital publishing — delivered to every major service worldwide, with reporting and royalty flow attached.
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Distribution is not just delivery. It is delivery plus metadata that survives, reporting you can audit, and money that finds its way back to the person who made the thing.
Plenty of services will push a file to a streaming platform. Far fewer will fix the metadata that stops it earning, register the composition alongside the master, chase the collection society, and hand the rights holder one statement that reconciles.
What we deliver
Film & television
Delivery into OTT, VOD and licensing markets, with rights windows and territory management handled.
Digital publishing
Books and print rights distributed through digital retail and licensing channels.
Sync & licensing
Catalog placed into film, TV, advertising, gaming and branded content through Music Licensing Group.
Physical
Vinyl, CD and merchandise fulfilment where the release calls for it.
Catalog migration
Moving an existing catalog off another provider without losing streams, playlists or history.
How a release travels
The same pipeline whether it is one single or a twenty-year back catalog.
01
Ingest
Masters, artwork and metadata come in, and get validated before anything ships.
02
Register
Master and composition identifiers assigned, splits filed, societies notified.
03
Deliver
Worldwide delivery to services, storefronts and OTT platforms on your release date.
04
Account
Consumption reported back, royalties calculated, statements issued to every payee.
Distribution questions
Distribution agreements do not require it. Where a deal involves us investing capital or taking a position, ownership terms are negotiated explicitly and in writing — never assumed as a condition of delivery.
Yes. Migration is routine: we map the existing catalog, preserve identifiers so streaming history and playlist placement survive where possible, and repair metadata on the way through.
Consumption data flows back into the platform, royalties are calculated against your splits and recoupment terms, and every payee sees a statement they can audit. No spreadsheets emailed once a quarter.
Yes, through Music Licensing Group. Master distribution without composition registration leaves money uncollected, so we do both by default rather than as an upsell.
Take your catalog worldwide
Twelve tracks or twelve thousand — we'll tell you what delivery, migration and administration would actually involve.